Featured Publishing Professional: Wendy Wong

Why book publishing

The original reason? I was sick of being a freelance journalist and wanted to find something in the editorial space that also came with a steady paycheck. As I was looking for full-time editorial jobs, book publishing came up over and over again and brought me back to those early days of weekly trips to the library, maxing out my borrowing limit and my mom’s, and immersing myself in different lives, worlds, and ideas from one book to another. I was (and still am) excited to be a part of that, working with smart, thoughtful, passionate writers, guiding them and their work through each step of the publishing process, and helping these books find the exact readers who want and need this in their lives. There are a lot of lows that can come with being in this industry, but reading a proposal or manuscript, falling in love, and wanting to run out and immediately tell everyone you know about it…

Wendy Wong (she/her) was a food writer for several years prior to her pivot into publishing. She worked at a small educational publishing company before joining HarperCollins, where she acquired titles for Harper and Harper Business such as The First, The Few, The Only by Deepa Purushothaman, a Financial Times business book of the month. She is currently an Associate Editor at Ballantine in Penguin Random House. Twitter: @wendyplacething

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Featured Publishing Professional: Alex Aceves

Why did you decide to work in book publishing?

Like most people who go into publishing, I’ve always been a huge bookworm, even from a very young age. I was absolutely that kid who just wanted to stay in and read or scribble out weird short stories in my notebook while all the other kids were playing outside. So I’ve always known I wanted to work in a job that involves a lot of reading and writing.

As an adult, I’ve come to realize that while this was partly just my personality, it also had to do with the environment I grew up in: we always had a lot of books at home, and both of my parents are big readers. Not all kids have that, for all sorts of different reasons. So I’ve grown really passionate about working with people who are invested in nurturing future generations of readers and fostering a love of reading early on. Kidlit publishing seemed like a good place to do that.

Alexandra Aceves is a Latine writer and editor originally from Mexico City and currently based in Brooklyn. She works as an associate editor at Holiday House Publishing, where she oversees the expansion of the Holiday House Spanish language publishing program while also acquiring YA and middle grade fiction for Holiday House's English language list. She was the 2015 Honor winner of Lee & Low's New Visions Award for previously unpublished YA fiction writers whose work centers characters from marginalized communities; her debut novel is forthcoming from Lee & Low's Tu Books imprint.

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Featured Publishing Professional: Tyra Douyon

Why book publishing?

Being an educator inspired me to pursue a career in publishing. When I was teaching in the classroom, I was always on the hunt for novels that were culturally relevant as well as being interesting and educational for my students. I decided to pursue book publishing because I want to help diversify the industry and get more books published by people of color who write perspectives from underrepresented communities. Being in publishing allows me the opportunity to work on novels that not only my students can read and enjoy, but children from around the world.

Tyra Douyon is an Atlanta-based writer, editor, and educator. She earned her B.A. in English Education and is pursuing her M.A. in Professional Writing from Kennesaw State University. She is the founder of Write House Books, a company that offers editing services to authors that focus on underrepresented communities, and is a Writer/Editor for Gallopade International and The Headlight Review. She writes poetry and fiction that highlight the effects of mental health and the intersection of Afro-Caribbean and American identity. She was accepted into the TinHouse YA Workshop ‘22 and is currently writing her debut YA novel. Find her on Instagram for @WriteHouseBooks on Twitter @TyraAliWrites and on her website– tyradouyon.com.

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Featured Publishing Professional: Quressa Robinson

Why book publishing?

It seems inevitable. I've always loved reading. It was something that was encouraged by my mom and my teachers. I've also always loved writing, which led me to getting my MFA in creative writing. Being in the literary world, interacting with the publishing industry, and learning more about the various roles that it takes to make a book just made me even more curious. And here I am.

Quressa Robinson joined the Nelson Literary Agency in 2017 after working at a previous agency and as an editor for five years. She is originally from San Francisco but has been living in New York City for over a decade. As a New York based agent, she is eager to build her MG, YA, and Adult lists. Quressa is also a member of the 2017-2020 WNDB Walter Grant Committee and holds an MFA in Creative Writing: Fiction from Columbia University. In 2020, she was named a Publisher's Weekly Star Watch finalist. In 2021 she was named an influential gatekeeper in Book and Film Globe’s inaugural Publishing Power 30 list alongside phenoms like Reece Witherspoon, Celeste Ng, and Lisa Lucas.
https://nelsonagency.com/quressa-robinson/

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Featured Publishing Professional: Polo Orozco

What made you decide to pursue publishing, specifically children’s editorial?

I’ve always loved storytelling, and I knew that I wanted to tell, or help tell, stories for a living. When I moved to New York for college, I knew that I wanted to major in English, but I still wasn’t sure of what career path I wanted to follow. I remember a friend of mine was working at Scholastic at the time, and she loved it. This piqued my interest, so I decided I’d try to get an internship in publishing. Eventually, I started interning at Levine Greenberg Rostan Literary Agency. I loved it (I was reading all day!), and I never left publishing.

Polo Orozco is an editor at G.P. Putnam’s Sons Books for Young Readers, an imprint of Penguin Young Readers. He’s also a translator and an audiobook enthusiast. He often rides his bike around NYC. He seldom tweets at @Polo_Orozco_.

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Featured Publishing Professional: Jess Harold

Growing up my parents always asked me to be critical of the media I consumed, whether it was the animated movies I would rotate through at Blockbuster or assigned reading for school. At the time I thought it was corny. But I began to understand that stories and who gets to tell them are a direct reflection of our world and in turn influence our world. So I came to book publishing with a desire to be someone who helps shape those stories so that readers aren’t desperately hunting for pieces of themselves in books the way I used to, but instead have full, complete narratives with them as the focus.

Jess Harold is an Editor at Henry Holt Books for Young Readers where she edits picture books, graphic novels, middle grade, and young adult novels. She loves books with gorgeous art and prose that celebrate the world we live in. These days she is perfecting her baking skills in her apartment and her farming skills in Stardew Valley.

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Featured Publishing Professional: Arely Guzmán

I've wanted to work with books since I was a child. I'd found refuge and escape and magic in books, and I wanted to be a part of it. During college, I applied for nearly forty different internships for agencies and imprints alike, and heard back from one, working for Steven Malk. After my first day was over, I was convinced that my dream job was working for children's publishing. I loved everything about it: the complex layers of children's storytelling, the supportive community of children's professionals and writers, and the impact it has on its readership. Not only do I love children's publishing, I believe in it and it's potential to generate change.

Arely Guzmán is an editorial assistant at Knopf Books for Young Readers and Make Me a World. She grew up in the Tijuana-San Diego border, where she fell in love with reading as a little kid. She drinks too much tea but not enough water, enjoys deep conversations with her cat, and can't pronounce the word "burger."

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Featured Publishing Professional: Selihah White

I’ve been a voracious reader as long as I could remember, so book publishing felt like a natural choice. I’m in publishing because I love being able to engage deeply with important ideas and make them captivating for readers.

Selihah White is a publicist at Catapult/Counterpoint/Soft Skull Press. She is a member of the Communications and Events subcommittee at People of Color in Publishing.

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Featured Publishing Professional: Rae Crawford

Even from a young age, I was fascinated by book design. I would spend hours in bookstores (R.I.P Borders) and my local library picking up books and studying every detail, the art, the type, the effects. While I can appreciate a book’s contents, I am completely guilty of judging books by their covers. One of the goals of my life has been to make beautiful books for others to enjoy and marvel at.

Rae Crawford is a junior designer at Scholastic with Cartwheel and Orchard Books, where she designs novelty and pictures books. She is also an illustrator, writer and comic artist. She is also the creator of the webcomic, I’m Broken, Send Help. Rae currently lives in NYC with her partner, her iPad and a few assorted stuffed animals and plants. Find her on Instagram and Twitter @itsraecrawford.


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Featured Publishing Professional: Elizabeth Agyemang

What sort of voices and stories are you looking for?

I wanted to work in publishing because I wanted to see more stories by BIPOC creators, so those are the voices and stories I’m looking for. I want stories of Black joy, the African diaspora, and also those that may deal with tougher themes. I want to see stories by BIPOC, QBIPOC, and disabled creators that are in fantasy worlds, contemporary ones, and historical fiction and nonfiction. I’m looking for middle grade, young adult and the occasional picture book. I also love graphic novels and manga and would love a slice of life story and fantasy in those mediums. I’m also especially looking for stories (whether that’s fantasy or contemporary) that has a romance between two Black leads.

Elizabeth Agyemang is a co-chair of the Communications & Events Subcommittee and an Associate Editor at HMH Books for Young Readers, where she gets to work on an exciting range of picture books, middle grade, young adult, and graphic novels from brilliant creators. Elizabeth is also a writer and an illustrator and her middle grade graphic novel debut Fibbed will be published by Razorbill in Spring 2022. When she isn’t gushing over books or comics, she spends her time dissecting classic movies and playing Final Fantasy. Find her on Twitter, TikTok, and Instagram @onceAddai.

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